Absolutely free essays to help students! These essays are only for study purpose. Plagiarism is a serious offense in academic world! Both plays utilise the theatrical techniques of Western theatre in conjunction with their tradition way of story telling to convey themes of struggle, prejudice and the destruction of Aboriginal culture.
For millennia, stories from around the world have had as their explicit task the expansion of the human heart. For the first time in history, certain written narratives 7 stages grieving essay been seen as potentially too powerful, too overwhelming for those who willingly choose to hear them.
But when did we become so afraid of feeling? This paradox of being drawn to disproportionate emotion lies at the heart of The Seven Stages of Grieving.
In the early s, Brisbane playwright Wesley Enoch was teaching at university; Deborah Mailman, his student, became a friend. Like Mailman, Enoch was young, black and savvy, and fast refining the tools of his theatrical trade. These stages analyse Australian life from the Dreaming, through several eras of British invasion and on to self-determination and mooted reconciliation.
He left Brisbane for home on Minjerribah, North Stradbroke Island, to take part in funeral and other rites, some derived from ancient Aboriginal tradition. On the sanctuary of the island, the playwright had time to reflect. Enoch had already been aching to write works that went beyond the merely autobiographical: I knew it was critical for us as black artists to grapple with the largest abstract themes of Indigenous life.
I wanted to make sophisticated, world-class theatre, with Aboriginal ideas and Aboriginal people at its heart.
Fuelled by this vision, and by his loss, Enoch sat down with Mailman, and together they wroteThe Seven Stages of Grieving. The one-woman show proved to be a brilliant catharsis that punched Australian audiences in their hearts, leaving them stunned.
Aboriginal life and Aboriginal resilience were shown on the Australian stage as never before. The curtain opens to an arresting, metaphorical image: The only other prop is scattered red earth.
As the play proceeds, the ice slowly melts.
We are not given any explicit facts of the invasion. Instead, we see only the aftermath. The audience has to imagine what has happened to Deborah Mailman, kneeling on stage, wailing and alone.
Then it shifts quickly into the present, to a community funeral. We hear about a month-long flow of bereaved between black houses, the enormous tables of food, the sorrow for the knowledge gone with one key matriarch. We also learn that for all its modernity, the Aboriginal family that is mourning here keeps to tradition.
Photographs of the dead are put away in a special suitcase under the stereo. Their names remain unspoken for the correct interval. There is enormous grief here, yes, but grief scaffolded into an ancient tradition that contains it and makes it bearable.
The play touches on many different kinds of loss: A woman unwittingly inviting the invaders into her house: Without warning They broke from our soft whispered conversation One took a handful of my hair and led my head to their knee Another washed his face in my blood Together they chained my feet.
Or is it real? Who exactly are the invaders? What matters, for the Aboriginal woman, is that invasion has many faces. Just as horror threatens to overwhelm, a hand grenade of humour erupts in the middle of everything. Mailman raises a scornful right arm and yells, defiant: Yeah, you with that hat!
Just get in your boat and go. Go on, go on get! The audience, laughing, is forced to confront Aboriginal people as real human beings, with a full range of emotions, swinging wildly here between sorrow and hilarity. And then back again, since Aunty Grace, living in self-imposed exile, has arrived back on the island.
Shame job — Aunty has married white and then stayed away, and is scarcely one of the family at all.The 7 Stages of Grieving: Play Scene Analysis Essay Challenges may be experienced as an individual transitions into the world, facing barriers about their identity and self of sense.
Transitioning in the world may also set a pathway towards growth and change. 7 stages of grieving essay Posted on November 18, at am. Written by.
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Topics in this paper The 7 Stages of Grieving is a wise and powerful play about the grief of Indigenous people and the hope of reconciliation. The play expresses the significance of the stories of the Indigenous. The 7 Stages of Grieving explores the personal and political history of Aboriginals, resulting in many challenges, hindering their transition in the world.
The play is acted out by one woman, representing the 'everywoman' as she . Jun 15, · Critical essay by Melissa Lucashenko about The 7 Stages of Grieving by Wesley Enoch and Deborah Mailman.2/5(3). dealing with the grieving process.
The five stages of grief are denial, anger, bargaining, depression, and acceptance. The first stage of grief is denial. In this stage the death of the loved one is denied because of the shock.
More about 5 Stages Of Grief Essay. A Reflection of Stage 5 of Erik Erikson's 8 Stages of Psychosocial Development.